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We worked with thickened dyes and Thermofax screens, among other things. The museum has a Thermofax but was running out of screen, so I made a few of them at home. Here is a bit of a piece I had started the previous week that had no real definition; you can see the background with the grid and lines. I added the blue layer this past week and now we'll see what happens.
This next piece is part of one I had done with soy wax a long time ago that had an overall pattern. I screened the trees on last Friday, hoping they would be very black. But the dye paste was not dark enough, so the effect is very muted. At first I was disappointed but now I really like the mysterious effect. Work done? or work in process? I'll let it percolate.
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I learned a lot about those machines which I'll talk about later, in case anyone is interested in the history of Thermofaxes.
4 comments:
Driving to Brooklyn to get a thermofax repaired! And I drove way out in the country to WPB's Acreage to buy JaneS's Merrow edging machine, then dropped it off for repair/tuning. Shows how focused we are on our art. I like that your black dye paste wasn't stark. Mysterious is good. Bev
Ah, yes, we go where the art tools are, don't we?
I am so excited because Wendy Huhn gave me the name of someone here in Portland who repairs thermofax machines.
She says that they are no longer manufacturing the bulbs for the older machines and we are all going to have obsolete machines - argh!
both of these pieces are lovely. I'm truly jealous of your pair (matched?) of Thermofaxes. I enquired about one over here, and was stunned by what it would cost...so I think I'll just have to live without one.
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